What we talk about when we talk about Love

Carver had been up all night reviewing Lish’s severe editorial cuts wo stories had been slashed by nearly seventy per cent, many by almost half; many descriptions and digressions were gone; endings had been truncated or rewritten and he was unnerved to the point of desperation

More on Raymond Carver’s relationship with his friend and editor Gordon Lish at The New Yorker

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